Contact Information




I'm a weaver, dyer and "free-range seamstress" who loves painted warps, collapse techniques, and extended parallel threadings -- all to make colorful, textured cloth used in garments for teaching, shows and sales. My pieces have been juried into the HGA Convergence fashion shows since 2008. About 20 years ago I started teaching at the Weaving and Fiber Arts Center here in Rochester, NY, and now I also teach on Zoom and at conferences and guilds in Australia, Canada and the United States.

Working out of my home, I weave on a 32-shaft Louet Megado, 16-shaft Toika Eeva, a 16-shaft Germaine table loom and a 12-shaft LeClerc table loom. 

To contact me, please send an email to: dkovn[at]@hotmail.com

I'm available on Facebook: https://www.facebook.com/denise.kovnat/?pnref=lhc

And on Instagram: https://www.instagram.com/denisekovnat/

Thanks for visiting!



Comments

alice said…
I do not have a Mac and have tried and tried to figure out the commands for my PC for 8 shaft Echo weave. I did find the the Draw Freehand button, but after that I am LOST. Is there someone, or someway that I can get some help?

Thanks,
Alice
August 31, 2018 at 5:44 PM
Denise Kovnat said…
Alice, that is a good point! I will take a look at Fiberworks on my PC and I can get back to you with instructions. However, I do need your email. Can you share it with me in a private email to dkovn[at]hotmail.com?

Thanks!
September 1, 2018 at 8:24 AM
bishnoi said…
Hi Denise, I am trying to email you via your given email address but it is going to someone with a similar email address as yours. My
name is Dinakar Iyer and I am the workshop organizer for Houston weavers guild (weavehouston.org).I would like to invite you to teach a workshop at our guild. Can you please email me at: dinakariyer@gmail.com. Many thanks,

Dinakar
August 26, 2019 at 11:33 PM
Post a Comment

Popular posts from this blog

The Warp that Keeps on Giving: Echo, Jin, Double Weave, Shadow Weave, and Warp Rep All on One Threading

Image
How do you weave a countless number of structures on one warp? With an extended parallel threading, of course! This particular technique offers a lot of "bang for the buck" for weavers. All you have to do is modify your treadling and, in some cases, change the tie-up. If you're REALLY ambitious, you can change the tie-up and re-sley as well to achieve Double Weave or Shadow Weave. What is an extended parallel threading? For those who follow the work of Marian Stubenitsky and/or Bonnie Inouye, it needs no introduction. For the rest of us, all it means is that, for starters, you use two colors in your warp, so that you can thread them A-B-A-B, etc. (A being your first color and B being your second). Then, instead of threading a straight draw of 1, 2, 3, 4, 5, 6, 7, 8 (just as an example), you thread your two colors using the same line, but separately, at a set interval.  For example, if you decide you're going to thread at an interval of 4, for an extended
Click here to see photos and read more....

Woad vs. Indigo: Here's What Happens When You 'Get the Blues'

Image
Last Saturday at the Weaving and Fiber Arts Center, I taught a class on "Getting the Blues: Natural Dyeing with Indigo and Woad." The short story is that, among some 275 plants that have usable amounts of indigo in their leaves, woad and indigo are the most popular worldwide, indigo itself ( indigofera tinctoria ) being the most popular natural blue dye of all time. Both have been used for thousands of years (woad, for example, was used in the British Isles by the Picts to paint themselves blue during warfare). The textile industry in southern France, centered in Toulouse, was devoted to woad -- until the 16th century, when indigo was introduced from Asia and, literally, blew it out of the water! (OK, so I can't resist a bad pun.) Indigo has the most concentrated levels of the blue pigment, which is why it's preeminent among its competitors. So I thought we'd have a class to demonstrate why. The photos below give you some of the results. (There are several quali
Click here to see photos and read more....

Understanding Turned Taqueté

Image
I think it's Elvis Costello who said, "Writing about music is like dancing about architecture."  You could say the same about weaving. Writing about weaving is like... painting about cooking. He's making two contradictory points at once, to my thinking: first, that it makes no sense to try to verbalize what is going on -- and second, on the other hand, you may be doing something interesting in the attempt! Hence, this blog post.  I'll start with Madelyn van der Hoogt, who defines Taqueté (the unturned structure) as a "weft-faced compound tabby."  "A weft-faced pattern weave with two or more sets of complementary wefts. Even warp ends separate the weft sets so that one set (color) is on the surface of the cloth and the other(s) on the back. Odd warp ends bind the complementary wefts in alternate (tabby) order, thus the name weft-faced compound tabby , also called taqueté and summer and winter polychrome...." from A Pocket D
Click here to see photos and read more....