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Understanding Turned Taqueté

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I think it's Elvis Costello who said, "Writing about music is like dancing about architecture." 
You could say the same about weaving. Writing about weaving is like... painting about cooking. He's making two contradictory points at once, to my thinking: first, that it makes no sense to try to verbalize what is going on -- and second, on the other hand, you may be doing something interesting in the attempt!
Hence, this blog post. 
I'll start with Madelyn van der Hoogt, who defines Taqueté (the unturned structure) as a "weft-faced compound tabby." 
"A weft-faced pattern weave with two or more sets of complementary wefts. Even warp ends separate the weft sets so that one set (color) is on the surface of the cloth and the other(s) on the back. Odd warp ends bind the complementary wefts in alternate (tabby) order, thus the name weft-faced compound tabby, also called taqueté and summer and winter polychrome...."
from A Pocket Dictionary of Weaving Te…