Random Acts of Color

I have been trying, with modest success, to understand the weave structure known as Turned Taqueté.  Turned Taqueté is described alternately as polychrome Summer and Winter but without tabby... or warp-faced compound plain weave... or like Samitum but based on plain weave, not twill.... Quite honestly, I do not have enough weaving background -- or I am not enough of a math-head -- to fully understand all the analyses and terminology. I do know that there is a tie-down weft and that the pattern warps float over three wefts and then are tied down as well. Ideally, the weft is much finer than the warp, allowing the warp pattern to show. And for what I want to do -- that is, paint two different warps and then weave them together in one fabric, so that the colors play against each other and with the pattern -- Turned Taqueté is terrific. Alliteration intended.  Simply put, this structure provides for a wonderful drape and beautiful design possibilities. I wove the sample a

From a very biased viewpoint: Mine! A group of Rochester Guild members -- including two "Convirgins," as weavers affectionately call those who are attending the convention for the first time -- journeyed to Providence on Wednesday, July 16, to see the fashion show and the exhibits. And, of course, the vendors. For those who aren't familiar with what Convergence is: this is the biennial convention of the Handweavers Guild of America, held somewhere in the continental United States and drawing a couple of thousand weavers, teachers, exhibitors, and vendors from all over the world. It is an inspiring event and -- because it's usually held on the West Coast -- I was not about to miss it. My traveling companions (left to right): Leslie Mendelson, Karen Berk, Hope Herting, Jenn Snyder, Teri Silsby, and me. Jenn, a Rhode Island native, was our wonderful hostess AND tour guide. Among the many tempting vendors: Master weaver Randy Darwall,  whose scarves are pi